Pantaloons Femina Miis India World 2012 Vanya Mishra from Chandigarh is awaiting her big test with the Miss World contest that allows you to happen on August 18 contest in China. She is actually motivated with Himangini Singh Yadu’s victory as Miss Asia Pacific and says, “Every win at a world pageant is a proud moment [...]
Friday, 29 June 2012
Neha Dhupia on the launch of Zumba fitness programme at Talwalkers
Former Miss India Neha Dhupia is likely one of the fittest Bollywood actresses and she or he appeared in perfect shape and spirit as she graced the launch of the Zumba fitness programme at Talwalkars Gym, Blue Sea, Mumbai. The development also saw the presence of Ashutosh Gowarikar together with his beautiful wife, Sunita. Neha Dhupia was at her [...]
Ajay-Kajol yet again!
By Hindustan Times
Ajay Devgn and Kajol can be back together at the screen soon. The couple was approached by the state government for his or her Save the woman Child campaign and can appear in a two-and-a-half minute film that rolls next month. “The idea is to spread awareness against female foeticide.
The film will play within theatres and hopefully on TV too,” says Ajay.
Ajay says he can understand people in the last century believing a lady child to be a financial burden since a son earned money for the family while a daughter was married off.
“But today, women don't seem to be only working. Many continue to appear after their ageing parents even after marriage, while the sons move away,” he says.
The actors, who've a nine-year-old daughter, Nysa, won't limit the endeavour to only shooting the film, but will spread awareness through other media-related activity.
“The idea is not only for individuals to hear us, but additionally to lead them to take into account that such atrocities are illogical in a rustic where the devi is worshipped. I USED TO BE shocked by the research findings that proved that doctors are involved too. There’s a right away wish to change the mindset,” he says.
Quiz him on whether he and Kajol will carry the message forward through other campaigns and he says, For a cause like this, we’ll be there.
State health minister Suresh Shetty confirmed the news, saying, Yes, Ajay and Kajol are doing the film.
Seventeen years ago, Ajay and Kajol were first seen on screen in two action films — Hulchul and Gundaraj — which released in quick succession. Two years ago, Kajol partnered Ajay in Toonpur Ka Superhero.
After Chennai Express, Rohit Shetty will direct another action film with Ajay. Will Kajol be a part of it?
Ajay says, “Rohit continues to be engaged on the script, only after it's locked are we able to start casting. We don’t write films with stars in mind.”
True friends are always there: Arjun Kapoor
By Hindustan Times
The success of Arjun Kapoor's debut film Ishaqzaade can have turned him right into a big name, however the young actor says it has not changed his relationship together with his friends. Despite his busy schedules and odd working hours, he manages to spend time with them. "I'M an overly anti-social person otherwise, but if it involves my friends, I always take out time for them," Arjun told IANS.
"My busy schedule has not changed my relationship with them. I'M the similar with them. And that i believe there is not any point working so hard that you simply can't spare time for you friends and expensive ones."
Son of filmmaker Boney Kapoor and late Mona Kapoor, who died of cancer recently, the 27-year-old considers himself lucky to have a gaggle of understanding pals.
Praising his friends, he said that he's lucky to have "amazing and understanding" friends.
"They take into account that my profession comes with odd timings and long working hours. They're very supportive and understanding. Whenever I AM GETTING time, we meet and do the standard things that friends generally will we. go and watch movies, spend time with one another and watch football together," he said.
Arjun is about to add on TV show Fearless, which matches on air on Bindass July 7.
The show will motivate people to stand their worst enemy, their deepest fears with the assistance of their best friends in a fun manner.
"I relate to the truth that your true friends are always there to assist and support you. Most importantly, they do not mock you over your fears. Those who do this aren't your friends.
"I have no major fears as such but yes, those I had, I'VE overcame. I HAVE TO say that my friends really helped me with that," he said.
Critics verdict: Maximum fails to provoke
By Hindustan Times
The crime-thriller directed by Kabeer Kaushik, starring Sonu Sood, Naseerudin Shah and Neha Dhupia, fails to create the 'maximum' impact. The film revolving around cops and encounters is another run of the mill story with poor direction and a skeletal plot.
Here's what the experts must say:
Saibal Chattarjee, NDTV
Rating: **1/2
Trigger-happy Mumbai cops gunning for gory glory has been the topic of many a Bollywood action flick of the past decade and a bit of. This one promises the utmost. Does it deliver? Not quite. Maximum bites off excess of it may possibly comfortably chew. Maximum lacks the nuanced detailing and the urgent pacing that are meant to have automatically sprung from a theme yanked out of the inner files of a highly politicised police force.
But all said and done, Maximum isn’t a washout – not by a protracted chalk. It's well crafted and superbly acted. Sonu Sood specifically leaves a long-lasting impression because the police officer under fire for excesses committed within the line of duty. The cameos by Vinay Pathak and Rajendra Gupta are impressive. Sadly, the hassle is maximum, the impact not quite so.
Gaurav Malani, TOI
Rating: Average
Naseeruddin Shah who plays an encounter specialist within the film substantiates his seniority by citing the precise selection of his encounters as 56. Unfortunately Kabeer Kaushik's encounter-specialist story Maximum doesn't even get a hold of an original figure at the encounter count and rather derives it from the cult film within the genre - Ab Tak Chhappan (56). More unfortunately, Bollywood has encountered the quintessential encounter specialist such a lot of times by now that there's not anything special left concerning the character or his chronicle anymore.
Kabeer Kaushik might need taken references from real-life cops and incidents but he is not capable of productively prepare the facts to return up with a riveting fictional account. Both his writing and direction lack innovation making all of the effort a traditional fare.
Taran Adarsh, Bollywood Hungama
Rating: **
The difference between MAXIMUM and an assortment of flicks that experience taken with cops earlier is this one talks of the facility games that two encounter specialists delight in. A SINGULAR thought, without an iota of doubt, but MAXIMUM suffers for a sound reason: A skeletal plot that lacks meat in its screenplay. Kabeer may've borrowed from real-life, but he is not capable of bind the incidents and episodes convincingly in an effort to deliver a charming fictional fare.
there's not much that the film offers at the table, after you're told in regards to the two warring factions. There are sequences that appear repetitive or an extension of what one has watched earlier, besides moments that appear so hard to take in in a practical fare. The climax, for instance, though filmed brilliantly, looks unreal because the two cops battle it out on a secluded railway platform. Besides, the film unravels at a languid speed, that is quite a deterrent for a thriller. At the whole, MAXIMUM has an eye catching premise, but lacks the beef in its screenplay to depart much of an impact.
Kunal Guha, Yahoo
Rating: Minus five
Contrary to popular belief, this film isn’t a couple of nighty-clad mother (maxi-mum). It's about Aamchi Mumbai- the utmost city. But director Kabeer Kaushik’s film takes minimum interest in Suketu Mehta’s interpretation of town and if anything, only curdles it right into a milkshake of clichés. So Mumbai isn’t concerning the ‘Mum-bhais’ anymore. It’s about trigger-happy encounter cops, dance bars which can’t be distinguished from item song shoots and many people lying mum in a pool in their own blood; just about just like the theatre screening this film.
If Sonu Sood is the last action hero, your last brain cell that survives this film must be within the next season of ‘Bigg Boss’ for its ability to endure absolutely anything. Why probably the most finest actors of the Hindi film industry agreed to share space with this motley crew to position up a show worth forgetting, is something only Naseeruddin Shah knows.
Raja Sen, Rediff
Rating: *
Lamentably enough, Kabeer Kaushik's cop thriller is neither of these potentially fun things, and never even really a thriller. It is a pity, for Kaushik's Sehar remains probably the most solid cop movies in recent years.
This one, however, tries too hard to seem 'intelligent,' that is why voices are softened and conversations are made matter-of-fact. The theory of corrupt cops facing off against one another generally is a fine one, but mired here in the course of people saying things really really slowly, it loses its steam.
Zinia Ray, DNA
Rating: *1/2
With a movie like Maximum, you go in along with your hopes pegged on one person, and one person only, Naseeruddin Shah. You compromise all the way down to watch the film with fingers, legs and arms crossed hoping to have a good time. However, Maximum proves to be a movie so unsalvagable that even an actor like Shah fails to assist its case.
The script fails on many levels and the film seems longer than its 150-minute duration. The events, after a point, make no sense and become hard to follow since you are only too damn bored to care anymore. And, of course, there may be an item number Aa Ante Amalapuram you might want to look out for, like the way you would look out for a speeding truck or a cloaked figure with a hook for a hand. Don't waste some time and money in this one.
Nabanita, Oneindia
Rating: **
The film is about within the Bombay (and never Mumbai) of the past and the tale portrays encapsulates politics, land deals, and pretend encounters. But, to one's expectation, the film fails to deliver the utmost because the title promises.
Talking concerning the performances, Sonu Sood is an encounter cop of few words and lots of bullets. He's the blue-eyed boy of the Establishment. A PERSON with the entire greys and all of the power. Sonu has an excellent waku doki screen presence, but fails to prove himself as a result of weak plot. Naseeruddin in his element is an experience that needs no definition. Naseer is solely dynamic waku doki. No wonder Shah just steals the show together with his power pack performance. At the whole, the film certainly doesn't make any sense and fails to deliver the MAXIMUM.
Saif-Deepika turn love gurus!
By Hindustan Times
Get ready together with your relationship queries. For Saif Ali Khan and Deepika Padukone are set to show experts on Facebook. On this new role, they're going to interact with youngsters at the social networking site, and answer questions they may have on love and relationships. The speculation behind that is for the
actors to have interaction with their audience prior to the discharge in their film, Cocktail, which deals with relationship issues.
Dinesh Vijan, producer of Illuminati Films, says, “Cocktail is making a buzz online, so we're getting Saif and Deepika to offer the best way to youngsters and enhance our hook up with the audience.” Though it sort of feels targeted mainly towards youngsters, a source from the film adds, “In their new avatar, the duo will offer advice to people across every age. Both will provide their very own perspective on issues.
While Saif will throw light on relationship dilemmas from a guy’s point of view, Deepika will attempt to solve the difficulties of girls with commitment issues.” The source adds, “Their own characters within the film are sketched in this sort of way that personalities of any type can relate to them. They portray various shades — they're carefree, audacious, loving, adventurous and sensitive, which can be just about the attributes absolutely everyone possess.” To participate, go surfing to facebook. com/joinusforcocktail?ref=ts
Gear up for the uncensored promo of ‘Jism 2′ on the web
That Pooja Bhatt’s forthcoming ‘Jism 2’ will surpass all its previous contenders in its hotness quotient isn't any more some degree to doubt, but it surely didn't go down well with Pooja Bhatt when the censor board gave an A-certificate to the song which was to be aired on television for the promos of the film.
Pooja tweeted, “First music promo for #Jism2 have been given an ‘A’ certificate. And this was what you can still call a very watered down version.” Pooja talked about sarcastically on the growing boldness at the television and said, “One sees all types of double entendre, etc dished out to us under the guise of ‘family entertainers’ while any iota of sensuality geared toward the thinking, passionate, adult Indian seems to make most uncomfortable.”
Pooja has decided to not tone down her trailer song and can release it on the net instead. She said, “Absolutely REFUSE to pare my scheduled trailer right down to pander to an over cautious Censor board. Will release promo on the web instead. Since we’re going the web way, you’ll see an uncensored version!”
Veena Malik goes bikini shopping along with her new beau
Gossip columns are going red with Veena Malik’s open display of closeness with filmmaker Hemant Madhukar who's directing a 3D horror flick titled Mumbai 125. Veena is playing the lead within the film opposite her alleged ex-flame Ashmit Patel.
First Veena was spotted getting cosy with the director at a pub. When those pictures started doing rounds, she rubbished the rumors saying, “If sitting and dining with someone is the same as flirting with him or dating him, it's nothing but rubbish. I share an even work relationship with Hemant, and that i also know his wife. So a majority of these reports are baseless.”
If that was not controversial enough, there are a fresh set of images out which show Veena in a blue bikini enjoying a lager by the pool side of a resort while Madharkar in a bathrobe sits by her side, admiring her. There are yet more of them where the director is shopping bikini for Veena and yet one more where the 2 are walking hand in hand.
Well, what excuse does Veena have for these kind of pics, we wonder!!
Shah Rukh Khan to get eight-pack for next?
By Hindustan Times
The last time Farah Khan directed Shah Rukh Khan, he hit the gym with a vengeance. The effects were the much-talked about six-pack abs he sported in Om Shanti Om (OSO; 2007). Now, as Farah gets able to direct SRK again in Happy New Year, it kind of feels just like the actor must do a gazillion more ab crunches. This time, Farah wants him to sport without equal eight-pack.
A source with regards to the film’s unit says, “Farah has conveyed to SRK that they should go a step further because the audience expects more from them as a team. SRK has agreed to work flat out and get an eight-pack by the point the film goes at the floors around September.”
Though Farah refused to make sure the news, she gave us enough to read between the lines: “SRK was to take off his shirt in Main Hoon Na (2004), but he got away with excuses. In OSO, he kept his promise and worked hard to get that sexy look. He still has life-size pictures of these six-pack abs at his home gym.”
Will he sport an eight-pack?
“It’s been five years since he sported a six-pack, so after all we have to transcend that. I MUST present him differently. We can surprise the audience again. But until SRK says it’s ok to talk, I can’t confirm his look,” says the director.
SRK is co-producing the film with Farah. She says, “We make an excellent team. Our last fight has made our bond grow stronger.”
Sholay, essentially the most iconic film
By Hindustan Times
After months of waiting, the title of the ‘top movie of the century’ have been decided, and goes to the long-lasting action drama Sholay (1975), which starred Dharmendra, Amitabh Bachchan, Hema Malini, Jaya Bachchan, Amjad Khan and Sanjeev Kumar.
The polling to make your mind up essentially the most iconic Indian film of the past 100 years was done under The Hindustan Times’ initiative, Cinema@100, to celebrate 100 years of Indian cinema. Within the first round of the contest, in accordance with public voting, 10 movies were shortlisted out of the 100 memorable films of the century.
The celebration moved into the second one phase with thousands of votes pouring in from around the country to then choose probably the most iconic film out of the 10. Ecstatic about Sholay’s win, the film’s director Ramesh Sippy says: “I’m humbled and overwhelmed that Sholay was titled the highest movie of the century within the HT contest.
I’d love to thank everyone who voted for my film.” Not many, especially the young movie-goers know that Sholay was not an instant box-office hit. Its popularity rose, through word of mouth several weeks after its release.
Readers who voted for Sholay are happy that their favourite film has won the respect. “I’m glad I'LL make it win. I LIKE the best way they presented Jai and Veeru’s friendship,” says Prem Chand, 31. Vishal Bhatia, 28, says, “My favourite dialogue from Sholay is ‘Kitney aadmi the’.” Some lucky readers who voted within the contest will win designer T-shirts by Manish Malhotra and Shemaroo DVDs of iconic films.
Top 10 indian movies of past 100 yrs
1. Sholay
2. 3 Idiots
3. Dilwale Dulhaniya Le Jayenge
4. Mother India
5. Mughal-e-Azam
6. Taare Zameen Par
7. Lagaan
8. Guide
9. Chak De! India
10. Anand
Gangs of Wasseypur sequel out on August 10
By Hindustan Times
The sequel to Anurag Kashyap’s Gangs of Wasseypur (GOW) will release on August 10, confirms Vikram Malhotra, COO Viacom18 Movies. The production house has apparently decided to release the second one part sooner than planned, to benefit from part one’s box office acceptance. Despite
an ‘A’ certificate, GOW received a good response from the audience and important acclaim in addition. It has already collected a net total of R14.75 crore.
During the weekend, it saw 100 per cent occupancy in theatres, while on weekdays it was between 80 per cent and 90 per cent.
“The film, despite its blood and gore, grips you as it specializes in a very powerful emotion – revenge. Individuals are waiting to peer how the drama enfolds,” says trade analyst Tarun Adarsh.
With a viewing time of 5 hours (part 1 and a couple of together), Wasseypur is Anurag’s most ambitious project yet.
He says, “We took gamchas to Cannes and it became a method statement there with people wearing it over their Armanis. These innovative strategies helped us escape with this kind of long film.”
Critics report: New Spider Man is astounding!
By Hindustan Times
Picking from where ex-Spider Man director Sam Raimi left off, Marc Webb seems to have passed the critics' test of expectations from a Spidey franchise. The clear winner, unanimously, is Andrew Garfield as Peter Parker and Spider Man.
Film: The fantastic Spider-Man
Director: Marc Webb
Cast: Andrew Garfield, Emma Stone, Rhys Ifans, Sally Field, Martin Sheen, Denis Leary, Irrfan Khan
Synopsis: Peter Parker finds a clue that will help him understand why his parents disappeared when he was young. His path puts him on a collision course with Dr. Curt Connors, his father's former partner.
Andrew Pulver, The Guardian
Rating: 4/5
The gear-shift within the superhero movie is now unmistakeable. Where after they aimed to actually replicate the experience of reading a comic book book, they now strive to be edgy, risk-taking dramas that do greater than simply pay lip-service to their characters' emotional lives.
Parker's abandonment issues have nevertheless loomed large in all Spider-Man films, and people searching for deeper shading of Parker's emotional make-up will certainly be pleased to look them.
Be that because it may, Webb successfully treads an excellent line between keeping the hardcore superhero-movie fans happy and injecting a dose of meaningful affect. Parker is in general reckoned to be essentially the most "relatable" figure within the superhero canon, however the pastel-bright synthetics of the sooner movies did little to dispel the sense that the comic-book world could only construct its characters out of clunking great blocks of melodrama.
In re-engineering Parker into the introspective, uncertain male more typical of his previous film, Webb is aided by an awesome performance from Andrew Garfield, who brings a genial unflappability that permits him to barter the often-ludicrous demands of the superhero plotline. On the same time, Webb also shows an unarguable facility for the more traditional action elements of the story, and the 3D certainly helps: he pulls off some properly nauseating shots as Parker dives off skyscrapers, rescues kids from falling, and the like.
It's the successul synthesis of the 2 – action and emotion – that implies this Spider-Man is as enjoyable because it is impressive: Webb's control of mood and texture is near faultless as his film switches from teenage sulks to exhilarating airborne pyrotechnics. It is just towards the end, when there is not any choice but to revert to CGI – as Rhys Ifans' Lizard goes at the rampage – that The fantastic Spider-Man gets rather less amazing: cartoony reptilian carnage has just lost its power to enthral if it's rather obviously happening inside a computer.
Robbie Collin, The Telegraph
Rating: 4/5
So for Spider-Man to register in today’s superhero-saturated market, he has to do something greater than pull on a candy-wrapper costume, swing from the similar skyscrapers and pander to the geeks within the cheap seats. Fortunately, Sony and director Marc Webb have get a hold of an excessively creditable, very marketable alternative, and it owes more to the hot success of Twilight than anyone in a fancy dress and cape.
Simply put, The fantastic Spider-Man is the primary superhero movie aimed primarily at women. The brand new Peter Parker (Andrew Garfield) isn't any goofy teenage geek within the Tobey Maguire mould; he’s a bright, introverted young man with a furrowed brow, a Tintin quiff and a pasty Home Counties complexion. Garfield appears to be playing him as a half-gangly, half-graceful riff on Eduardo Saverin, his character from David Fincher’s Facebook chronicle, The Social Network.
In fact, if Webb’s film has a weak suit, it’s the supervillainy: Ifans’s character is underdeveloped, and his putative tragic fall is more of a depressing tumble. Some comic-book fans have also criticised the “unconvincing” lighting tricks employed to bring Ifans’s scaly alter ego to life, although I can’t say I’m entirely clear what a powerful rendering of a big angry lizard in torn purple trousers and a lab coat might look like.
But that’s to not say The superb Spider-Man is brief on blockbuster testosterone, and the film’s second half offers good enough bungee-swinging through Manhattan’s concrete canyons, immaculately rendered in vertiginous, silky-smooth 3D, to meet thrill-seekers of either sex.
What’s refreshing is the way in which Webb makes those action sequences count – with a plot that rests almost entirely at the plausibly tingly romance between his two leads.
Lisa Schwarzbaum, Entertainment Weekly
Rating: A-
A friskier, sweeter-natured variation at the story Sam Raimi told in his recent trilogy, with greater emphasis on human relations than on special effects, this Spidey reboot refreshes an old story in the course of the on-trend notion of creating a Marvel superhero less...super-heroic. With an effortlessly winning Andrew Garfield now within the title role and the irresistible Emma Stone by his side as Gwen Stacy, probably the most delicious highschool girlfriend a bug- and love-bitten young man could hope to woo, The superb Spider-Man would be the first big-ticket, big-budget, big-action-sequence comic-book movie that still doubles as a lilting coming-of-age indie.
SpidermanI mean an indie at its very best, with smart attention paid to coming-of-age issues, including the prickly shyness of a social outsider who's a very simple target for bullies, the sexual and romantic awkwardness of a first-timer in love, the run-amok emotions of adolescence, and the unrest of an adolescent who feels abandoned by his father. Of course, attention could also be paid to a supervillain: the Lizard, a giant, destructive reptile played with impressive commitment to scaliness by Notting Hill's Rhys Ifans.
Through it all, Garfield fills both his slackerish Peter Parker identity in addition to his Spider-Man rubberwear with star-quality confidence. Mixing self-effacing sweetness with believable teen boy arrogance, then adding a wee drop of snark, the exciting British-American actor with the JFK Jr. dark attractiveness defies anyone to hate him because he's beautiful — or because he isn't Tobey Maguire. And any time the actor shares a scene with the radiant Ms. Stone...well, the 2 are a chemistry experiment gone as blindingly right as reptilian Dr. Curt Connors' little lab test goes terribly wrong. What's most amazing within the Amazing Spider-Man seems to be not the shared sensations of blockbuster wow! the image elicits, but rather the shared satisfactions of intimate awww.
Mark Adams, Mirror
That web-slinging superhero Spider-Man is back - again – and against the entire odds this 3D reboot is an engagingly action-packed and freewheeling affair, blessed with perfect chemistry between Brit Andrew Garfield and Hollywood star Emma Stone and a few grandstanding lighting tricks moments.
Young British actor Andrew Garfield is superb because the smart but mild-mannered Peter Parker – combining awkward nerdyness with an underlying strength – and provides the film a competent backbone.
There are some changes naturally enough – love interest this time is available in the blonde type of Gwen Stacy (played with charm to spare by the fantastic Emma Stone) and for some reason The Daily Bugle, where Peter sold snaps of Spider-Man within the original films (and the comic book series) is gone – but this re-telling is breezily watchable, despite a hefty running time.
The 3D works extremely well on the subject of his swinging his way across the Big Apple, though loses impact in relation to old-fashioned dialogue and straightforward one-on-one scenes. Luckily the film is blessed with the delightfully confident and colourful Emma Stone…she could be a little old to be playing high-schoolers (she is 22 later this year), but has such grace and poise – in addition to perfect comedy timing – that oddly she finally ends up being the actual beating heart of the film, with Garfield available to balance the geekiness with the superhero wisecracking.
The villain this time round is Oscorp scientist Dr. Curt Connors (Rhys Ifans) who gets transformed into the scaly beastie The Lizard. Yes he's powerful and harsh and green-skinned and has a tail, but somehow lacks the sheer villainous of alternative of Spider-Man’s usual enemies. Rest easy though…the post credits point to a brand new villain waiting within the wings.
Peter Travers, Rolling Stone
Rating: 2.5/4
That being said, The superb Spider-Man has its virtues, chief among them its two stars: Andrew Garfield as Peter, the nerd turned crimefighter, and Emma Stone as Gwen Stacy, the daughter of a police chief (Denis Leary) who can not help being drawn into Peter's web. Garfield, so good within the Social Network and onstage in Death of a Salesman, puts his own stamp on Peter and his drive to unravel the mystery of his parents' death. And Stone just jumps to life onscreen. Gwen was played by Stone's The assistance costar Bryce Dallas Howard in Spider-Man 3, but her tackle the role is distinctly her own. The superb Spider-Man delivers in its action and flying scenes as Spidey fights the villain, a.k.a. The Lizard (Rhys Ifans). But that's due diligence. The core of the brand new movie is the affection story. It's no accident that Marc Webb was chosen to direct. Webb is the person behind (500) Days of Summer, the 2009 hit with Zooey Deschanel and Joseph Gordon-Levitt that may be among the best movie romances of the last decade. Webb never loses touch with the film's emotional through line. And he allows time and space for Garfield and Stone, both stellar, to show a high-flying adventure into something impassioned and moving. A Spider-Man that touches the center. Now that truly is amazing.
WATCH: Sunny Leone sizzles in erotic Jism 2 song!
By Hindustan Times
First song from probably the most awaited film Jism 2 is out! The erotic song titled Jism 2 featuring Sunny Leone, Randeep Hooda and Arunoday Singh has a fresh feel to it.
The two-minute track starts with a calming music and slowly takes you to the grooving mood. While the beat of this song is rather catchy, the visuals only add to the appeal. Composed by Arko Pravo Mukherjee, the song has vocals by Ali Azmat and lyrics by Arko Pravo Mukherjee and Munish Makhija.
As the title suggests, the track is sexy and shows Leone in an expectedly risque look. Both the male actors are seen getting intimate with the porn star within the song, which provides a touch of the plot.
Randeep Hooda and Sunny Leone look very comfortable doing the lovemaking scenes and their chemistry is to appear out for! Hooda, who have been busy filming cosy scenes with Indo-Canadian porn star in Sri Lanka, wishes their chemistry is successful in turning at the audiences.
"Just finished an immense lovemaking scene for @Jism2. Extreme, exhausting and exhilarating. Hope we will turn people 'on' all over the place with it," Randeep posted on Twitter.
In Jism 2, Sunny Leone plays Izna, a seductress. Randeep Hooda plays Kabir, who can also be described because the warrior, and Arunoday Singh plays Ayaan, who will also be described because the swashbuckler. It is a love triangle.
Jism 2, a sequel to 2003 film Jism, is being directed by Pooja Bhatt and in addition marks Bollywood debut of Sunny Leone.
Deepika Padukone boards Chennai Express
By Hindustan Times
She dazzled everyone together with her acting debut within the Shah Rukh Khan-starrer Om Shanti Om. And now, seven years later, Deepika Padukone is outwardly set to team up with SRK again in Chennai Express, produced by UTV Films. “Once back from Turkey (where she’s shooting Race 2), she is predicted to join up the dotted line. Deepika was always on our mind considering she is a large star now and likewise hasn’t teamed up with SRK since OSO. So it really works out well that we're coming back with OSO team,” says an insider.
Apparently, on the start, director Rohit Shetty had discussed the film with Kareena, but things didn’t materialise. Later, Kat was also believed to be within the fray.
“Don’t forget she is already working with SRK in Yashji’s (Chopra) film. Plus, her dates might have been a subject matter since she's going to soon start work on Dhoom 3,” adds the insider.
Shetty’s action-comedy is anticipated to hit the floors around October.
“By that time, Deepika would’ve wrapped up Race 2 and Yeh Jawaani Hai Deewani,” adds the insider.
Despite repeated attempts, Rohit couldn’t be reached. UTV’s Siddharth Roy Kapoor chose to not comment.
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