By Hindustan Times
The latest trend in Indian cinema is to provide audiences the chance to select the climax they desire for the tale. In line with this, the makers of Raveena Tandon-starrer Ginn Liya Aasman are shooting two sequences — one happy and the opposite sad — and leaving it to viewers to make a choice which
one suits the film better.
Directed by renowned Marathi director Rishi Deshpande, Ginn Liya Aasman is a movie a few 6-year-old boy, played by Dhruv Pikhe, whose father, a naval officer, have been missing since a plane crash. The child have been told that his father lives within the sky and believes that he's the person behind the monsoons and the one that decides the form of the moon, and that his father will come and play with him in his vacations. Raveena plays his mother.
“It’s an excessively sensitive film and two endings were possible,” says Anil Bohra, who's producing the bilingual film along side Mudassar Aziz and Vishwajit Gaikwad. The film may need two different climaxes — one for the Hindi and the opposite for the Marathi version. “Either that, or we will retain the similar climax for both versions,” says Bohra.
The makers will resort to the internet for public opinion to make a decision upon the climax. “We might even put it on YouTube relating to giving a synopsis and asking what people think need to be the tip. A small private screening for a select audience could also be an option,” says Bohra, who's set to implement this concept by the top of this month or early next month. The film is scheduled to release this summer, sometime around June.
